Zeefdruk - Gesigneerd - 230 - Zonder lijst - 1977
|Titel van kunstwerk:||Composition De Stijl /from La Lune en Rodage III|
|Totale afmetingen (L/B/H in cm):||29 x 23 cm|
|Verkocht met lijst:||Zonder lijst|
Cesar Domela: From La Lune en Rodage III
Medium: Silkscreen Print
Dimensions: 23 x 29 cm
Editor: Edition Panderma, Basel
Year: published 1977
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered)
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration:
mint archival condition
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
César Domela (1900- 1992) was a Dutch sculptor, painter, photographer, and typographer, and a key member of the De Stijl movement. As self-taught artist, he lived from 1919 to 1923 in Ascona, Switzerland, developing his constructivist style, influenced heavily by cubism. Lacking a formal, artistic background, Domela's early art consisted of painted landscapes and still life where figures were reduced to geometric forms.
He relocated to Berlin in 1923, where he became friendly with members of the influential November Group. That same year, he painted his first painting without a subject, a composition of vertical and horizontal lines and planes. His first solo exhibition was held in 1924, at the Galeria d'Audretsch. In 1925, he became the youngest member of De Stijl, working closely with the famed Theo van Doesburg and Piet Mondrian. His work in this period often straddled several mediums. He concentrated on three-dimensional reliefs, often incorporating pieces of Plexiglas and metal as well as photomontages and cutouts from advertisements. Though he opened a silkscreen process studio for printmaking in 1934, relief was still his favorite medium and he developed the medium to a high art form. In 1936, he took part in an exhibition of Cubism and Abstract Art in the Museum of Modern Art in New York City.
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